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Free for Commercial Use

Stencil Uksi 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Navine' by OneSevenPointFive, 'Hype Vol 1' by Positype, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: posters, headlines, sports branding, game ui, event graphics, industrial, tactical, racing, urgent, commanding, impact, speed, utility, signage, branding, slanted, condensed feel, angular, cutout, high impact.


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A heavy, right-slanted sans with a pronounced stencil construction throughout. Strokes are broad and mostly monolinear, with angular terminals and frequent diagonal cut-ins that create sharp notches and clear bridges in bowls and joins. Proportions read compact with tight apertures, and counters are squared-off, especially in rounded letters and numerals. The overall rhythm is punchy and mechanical, with consistent internal gaps that keep the letterforms identifiable while emphasizing a cut-and-segmented silhouette.

Best suited to short, prominent text such as posters, headlines, event graphics, and sports or motorsport-style branding. It also fits interfaces and overlays where a rugged, utilitarian voice is desired, particularly in game UI, labels, and attention-grabbing callouts. For maximum clarity, it performs strongest at medium-to-large sizes where the stencil gaps read crisply.

The tone is assertive and action-oriented, evoking industrial marking, sports signage, and tactical graphics. Its slant and sharp interruptions add speed and tension, giving the face a dynamic, high-energy presence that feels built for impact rather than subtlety.

The design appears intended to deliver a fast, industrial stencil look with strong emphasis and a consistent cutout motif. It prioritizes visual impact, urgency, and a manufactured aesthetic, making the stencil bridges a defining feature rather than a secondary effect.

The stencil breaks are integrated as part of the design language rather than occasional cuts, producing a cohesive, engineered texture across both uppercase and lowercase. Numerals follow the same segmented logic, helping mixed alphanumeric settings look uniform and deliberately technical.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸