Stencil Ukgy 7 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Bio Sans' by Dharma Type, 'Corelia' by Hurufatfont, 'Core Sans E' by S-Core, 'Referenz Grotesk' by Sudtipos, 'NeoGram' by The Northern Block, 'Samplex' by Tipo Pèpel, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: posters, headlines, sports branding, apparel, packaging, industrial, tactical, sporty, futuristic, mechanical, stencil aesthetic, motion emphasis, rugged branding, technical tone, slanted, geometric, angular, segmented, high-impact.
A slanted, heavy sans with a segmented stencil construction. The strokes are low-contrast and predominantly monolinear, with sharp terminals and angular joins that emphasize speed and direction. Distinct stencil bridges cut through bowls and counters (notably in C, G, O, Q, S, and the numerals), creating clear breaks while maintaining strong silhouette legibility. Overall proportions feel compact and robust, with simplified forms and a forward-leaning rhythm suited to display sizing.
Best suited for bold display applications where the stencil segmentation can be appreciated: posters, headlines, sports or motorsport identity, apparel graphics, and packaging. It can also work for UI titles or short labels when a technical, industrial voice is desired, but the bridged cuts may become distracting at very small sizes.
The font conveys an industrial, tactical tone with a sporty sense of motion. Its cut-through stencil breaks add a utilitarian, engineered character that reads as modern and slightly aggressive, suggesting equipment markings, performance branding, or sci‑fi interface typography.
The design appears intended to blend a fast italic stance with a true stencil build, delivering a rugged, engineered look that remains readable while adding a distinctive segmented texture. The consistent bridges and simplified geometry suggest a focus on impactful branding and thematic display rather than long-form text.
The stencil gaps are consistently placed and wide enough to remain visible in the sample text, producing a distinctive striped texture across words. Round characters keep a clean, near-geometric curve but are interrupted by decisive bridges, while diagonals in letters like A, K, V, W, and X reinforce the dynamic, forward-leaning feel.