Solid Tyla 3 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game ui, packaging, industrial, sci-fi, brutalist, arcade, stencil-like, maximum impact, machined aesthetic, modular display, futuristic branding, blocky, angular, faceted, notched, octagonal.
A heavy, block-constructed display face built from crisp, geometric masses with frequent chamfered corners and rectangular notches. Counters are largely collapsed, yielding solid silhouettes that read as cut from sheet material; internal detail is suggested through small incisions and stepped bites rather than open bowls. The rhythm is compact and mechanical, with a mix of straight edges and octagonal rounding that gives letters and numerals a faceted, machined feel. Lowercase echoes the uppercase with simplified, modular forms and short ascenders/descenders, keeping the texture dense and uniform.
Best suited to display contexts such as posters, cover art, esports or game UI headings, and bold branding marks where a dense, industrial voice is desired. It can also work for packaging labels or event graphics when used large, with ample spacing and high contrast backgrounds.
The overall tone is rugged and futuristic at once—like industrial labeling, arcade titling, or sci‑fi interface text. Its sharp notches and armored shapes convey strength, austerity, and a deliberately synthetic character.
The design appears intended to maximize impact through solid silhouettes and engineered corner detailing, prioritizing a stamped, machined aesthetic over open counters and conventional readability. The consistent use of chamfers and notches suggests a modular system aimed at creating a distinctive, armor-like texture across lines of text.
At text sizes the collapsed counters and deep corner cuts create a strong black-on-white presence but reduce character differentiation, especially in rounded letters and in the lowercase where forms become more emblematic than typographic. It performs best when tracking is generous and the setting is short, allowing the distinctive notches and chamfers to read as intentional detailing rather than noise.