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Free for Commercial Use

Serif Other Puta 7 is a light, narrow, medium contrast, upright, normal x-height font.

Keywords: book covers, headlines, branding, editorial, packaging, storybook, vintage, whimsical, folksy, academic, add character, evoke vintage, humanize serif, display emphasis, editorial tone, bracketed, spurred, calligraphic, wedge serif, crisp.


Free for commercial use
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This serif face combines slender, slightly condensed proportions with lively, hand-influenced detailing. Serifs are small and bracketed with wedge-like terminals, and many strokes taper subtly into spurs and beaks, giving outlines a lightly cut, engraved feel rather than a purely mechanical one. Curves and joins are intentionally a bit irregular, with modest stroke modulation that adds texture in both capitals and lowercase. Counters are relatively compact, ascenders are tall and prominent, and punctuation and numerals keep the same sharp, slightly quirky terminal language for a consistent rhythm.

This font performs best in display to short-text settings such as book covers, chapter openers, magazine headings, pull quotes, and boutique brand identities. It can work for editorial subheads and short paragraphs when set with comfortable size and leading, where its sharp terminals and compact counters remain legible and intentional.

The overall tone feels literary and old-world, with a faintly whimsical, storybook character. Its idiosyncratic serifs and gently uneven drawing suggest a human touch—suited to historical, editorial, or boutique contexts where personality is preferred over neutrality. The atmosphere reads as cultured and slightly playful rather than formal or corporate.

The design appears intended to reinterpret a traditional serif model with decorative, hand-cut nuances—retaining recognizable classic skeletons while adding expressive terminals and slight irregularities to create a distinctive, vintage-leaning voice.

In the sample text, the font maintains a clear baseline and steady spacing, but the distinctive terminals and narrow internal spaces become the primary visual signature at larger sizes. The uppercase has a lightly classical structure, while the lowercase leans more eccentric through curled terminals and compact bowls, producing a charming mixed texture in running text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸