Sans Superellipse Ibrar 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Lordcorps' by Almarkha Type, 'Lobby Card JNL' by Jeff Levine, 'Navine' by OneSevenPointFive, 'Octin College' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, sporty, industrial, friendly, compact, impact, modernity, sturdiness, clarity, approachability, rounded corners, blocky, sturdy, geometric, high impact.
A heavy, block-built sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with minimal modulation, producing dense counters and a compact, stable silhouette. Curves tend to resolve into squarish bowls and terminals, while diagonals remain crisp and strongly cut; apertures are relatively tight, emphasizing a solid, poster-ready color. Uppercase forms read wide and grounded, while lowercase maintains straightforward, workmanlike shapes with simple joins and short terminals.
Best suited for headlines and short-form text where maximum presence is needed, such as posters, signage, packaging, and bold brand statements. It can also work well for sports or product logos, labels, and UI banners where compact geometry and strong legibility at larger sizes are priorities.
The overall tone is bold and no-nonsense, balancing industrial toughness with approachable rounded edges. It feels energetic and contemporary, with a sporty, utilitarian flavor that favors clarity and impact over refinement. The softened geometry keeps it from feeling harsh, lending a friendly robustness suited to attention-grabbing messaging.
The design appears intended to deliver high-impact typography through a rounded, geometric block structure—combining strong massing, tight apertures, and consistent corner radii for a cohesive, modern display voice.
The numerals follow the same rounded-rect logic, with compact internal spaces and an emphasis on strong verticals. Round letters like O/Q appear squarish with generous corner radii, reinforcing a consistent superelliptical rhythm across the set.