Sans Superellipse Osnew 1 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Nomenclatur Mono' by Aronetiv, 'FF Letter Gothic Mono' by FontFont, 'Mono Spec' by Halbfett, 'Touch Me' by Latinotype, 'Trade Gothic Display' by Monotype, 'Arbeit Technik' by Studio Few, and 'Biphoton' by Typodermic (names referenced only for comparison).
Keywords: ui labels, coding, terminals, data tables, signage, industrial, utilitarian, technical, retro, sturdy, grid fit, clarity, impact, system style, durability, boxy, rounded, compact, dense, mechanical.
A heavy, compact sans with rounded-rectangle construction and consistent, uniform stroke weight. Curves resolve into soft superellipse corners rather than true circular bowls, giving letters a squarish footprint and a steady, mechanical rhythm. Counters are relatively tight and terminals are mostly blunt, producing dense word shapes and strong color on the page. The monospaced spacing reads clearly in the sample text, with blocky forms and short extenders that keep lines orderly and even.
Well-suited to interface labels, terminal-style displays, and any layout that benefits from predictable character widths such as tables, logs, and code samples. The bold, compact shapes also lend themselves to short headlines, stickers, packaging callouts, and functional signage where strong presence and uniform rhythm are desirable.
The overall tone is pragmatic and workmanlike, with a hint of retro computing and industrial labeling. Its boxy rounds and sturdy silhouettes feel confident and no-nonsense, emphasizing clarity and structure over elegance or warmth.
The design appears intended to provide a robust monospaced voice with rounded-square geometry, balancing firmness and approachability through softened corners. It prioritizes consistent rhythm and high visual impact in constrained grids, suggesting use in technical, system, or label-driven contexts.
Round letters like O and C appear more like softened rectangles, and diagonal-heavy forms (such as K, V, W, X) keep a solid, engineered feel rather than a calligraphic one. Numerals match the same compact, squared-off logic, supporting a cohesive texture in mixed alphanumeric settings.