Cursive Ullo 16 is a bold, narrow, high contrast, italic, short x-height font.
Keywords: branding, packaging, posters, social media, quotes, friendly, expressive, retro, confident, lively, handmade feel, display impact, signature style, cheerful tone, brushy, rounded, casual, looped, bouncy.
A connected script with a brush-pen feel, featuring thick main strokes and tapered entries and exits. Letterforms are right-leaning with rounded terminals, compact counters, and lively, slightly bouncy baselines. Strokes show calligraphic modulation rather than uniform monoline structure, and the joins are smooth with occasional lifted connections that keep the rhythm airy. Capitals are prominent and gestural, while lowercase forms stay compact with looped ascenders and simple, flowing descenders; numerals match the same handwritten movement and weight.
Well-suited for logos and brand marks that want a personable, handcrafted voice, as well as packaging, café/food labels, and lifestyle graphics. It works nicely for short headlines, pull quotes, invitations, and social posts where the connected script texture can be appreciated. For longer passages, using larger sizes and generous line spacing will help preserve clarity.
The overall tone is warm and personable, with an energetic, handwritten spontaneity that feels upbeat and approachable. Its confident swashes and soft curves give it a nostalgic, sign-painting-adjacent charm without becoming overly formal. The texture reads expressive and human, suited to messaging that wants to feel direct and friendly.
The design appears intended to capture a bold brush-script signature style: smooth connectivity, energetic slant, and punchy contrast that reads quickly while still feeling handmade. It balances expressive capitals with a compact lowercase to create strong word silhouettes for display use.
Spacing appears intentionally tight in places, reinforcing the connected handwriting flow and creating a continuous word shape. The heavier downstrokes and compact internal spaces suggest it will read best when given enough size and breathing room, especially in longer lines.