Sans Superellipse Ukrus 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dimensions' by Dharma Type, 'Glia' by Linecreative, 'Sharka' by PeGGO Fonts, 'Branson' by Sensatype Studio, 'Chocolate Chipped' by Vintage Type Company, and 'Supertall' by wearecolt (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sports graphics, industrial, condensed, futuristic, authoritarian, poster-like, space-saving impact, geometric consistency, high-contrast texture, modern signage, squared, rounded corners, monoline, vertical stress, blocky.
A tall, tightly condensed display sans built from rounded-rectangle forms with softened corners and mostly uniform stroke weight. Counters are narrow and often treated as slim vertical slits, giving the alphabet a strong black-and-white banding effect. Curved letters resolve into squared bowls, and joins are crisp and rectilinear, with occasional notch-like cut-ins that emphasize a mechanical, constructed feel. The rhythm is highly vertical, with compact apertures, flat terminals, and minimal modulation, producing dense word shapes at text sizes.
Best suited for short, high-impact settings such as posters, headlines, logotypes, packaging callouts, and sports or event graphics where density and punch are desirable. It can also work for interface-style titling or signage when set with generous tracking to prevent dark clumping in longer lines.
The overall tone is forceful and engineered, evoking industrial labeling, sci‑fi interfaces, and high-impact poster typography. Its compressed proportions and dark mass read as assertive and slightly severe, with a streamlined, modern edge.
The design appears intended to deliver maximum impact in minimal horizontal space, using superelliptical, rounded-rectangle geometry to create a cohesive, machine-made aesthetic. The narrow counters and strong vertical emphasis aim to produce a distinctive texture that stays consistent across uppercase, lowercase, and figures.
In the samples, spacing and internal cutouts create a distinctive striped texture across lines, especially where repeated verticals stack (e.g., in m/n/u and in round letters like o/e). Numerals follow the same tall, slabby construction, keeping a consistent voice across alphanumerics.