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Free for Commercial Use

Sans Other Rerom 7 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Albercio' and 'Albercio Drawn' by Craft Supply Co, 'Aston Display' by Designova, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Robson' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, logos, titles, packaging, industrial, art deco, techno, authoritative, dramatic, space-saving, display impact, retro-futurism, architectural feel, graphic texture, condensed, rectilinear, geometric, angular, stencil-like.


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A tightly condensed, rectilinear sans with monoline strokes and a strong vertical emphasis. Forms are built from straight stems, squared terminals, and narrow counters, with roundedness largely suppressed in favor of crisp corners. Curves (as in C, O, S, and 0) read as faceted, with small apertures and internal cut-ins that create a slightly stencil-like, segmented construction. The overall rhythm is tall and compact, producing dense word shapes and strong columnar texture in text.

Best suited to display settings such as posters, headlines, title cards, and logo wordmarks where its condensed height and geometric detailing can read clearly. It also works well for impactful labeling and packaging that benefits from an industrial or retro-modern flavor. For comfortable long-form text, larger sizes and generous spacing help preserve the small counters and narrow apertures.

The typeface projects an industrial, architectural tone with clear Art Deco and retro-futurist cues. Its sharp, engineered geometry feels commanding and mechanical, lending a sense of precision and intensity. The condensed silhouette adds urgency and impact, making the voice feel bold and assertive rather than conversational.

The design appears intended to deliver maximum impact in minimal horizontal space, using a modular, architectural construction to evoke a mechanical, Deco-inspired aesthetic. Its consistent stroke weight and squared terminals prioritize uniform texture and strong presence over softness or calligraphic nuance.

In the samples, long lowercase ascenders/descenders and tight internal spaces create high visual energy, especially in clusters and punctuation. The distinctive, cut-in detailing helps differentiate similar shapes at display sizes, while the narrow apertures can visually close up when set small or tightly tracked.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸