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Free for Commercial Use

Sans Normal Udnat 2 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'GHEA Zartonk' by Edik Ghabuzyan, 'Ragik Sans' by Hurufatfont, 'Begum Sans' by Indian Type Foundry, 'JT Douro Sans' by JAM Type Design, 'MC Attrey' by Maulana Creative, 'Tabac Glam' by Suitcase Type Foundry, 'Giltune' by Wildan Type, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, editorial, modern, confident, clean, assertive, impact, clarity, modernity, refinement, hierarchy, crisp, structured, open counters, large apertures, geometric touches.


Free for commercial use
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This typeface presents a clean, contemporary sans voice with pronounced stroke contrast and crisp, sharply finished terminals. Curves are smooth and generously rounded, while joins and diagonals stay taut, giving letters a sculpted, high-clarity silhouette. Counters are open and readable, with a straightforward, low-friction rhythm in text; spacing feels even and the overall color is dark and steady without appearing compressed. Figures are clear and sturdy, with simple, legible forms that match the letterfit and maintain strong presence at display sizes.

It performs best in headlines and short-to-medium display text where its contrast and dark typographic color can create strong hierarchy. The clean outlines and open counters also make it suitable for branding systems, packaging, and editorial titling where a contemporary, high-impact sans is needed.

The overall tone is modern and confident, with a polished, editorial feel. Its strong contrast and decisive terminals read as assertive and premium rather than casual, making it well-suited to messaging that aims to look current, direct, and refined.

The design appears intended to deliver a modern sans with added sophistication through heightened contrast and crisp finishing, aiming for strong presence and clarity in display settings while remaining orderly enough for supporting text at larger sizes.

The design balances geometric roundness in bowls with firm, straight-sided strokes, creating a disciplined mix of softness and structure. The glyph shapes remain consistent across uppercase and lowercase, and the sample text shows good word-shape clarity due to open forms and distinct letter silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸