Sans Other Isruk 3 is a regular weight, narrow, low contrast, upright, short x-height font.
Keywords: headlines, posters, logotypes, packaging, kids media, playful, whimsical, casual, hand-cut, retro, expressiveness, handmade feel, display impact, brand character, angular, chiseled, oblique stress, open counters, bouncy baseline.
This typeface uses a compact, narrow set of proportions with rounded bowls paired against sharply cut, wedge-like terminals. Strokes stay mostly uniform in thickness, but many joins and endings are clipped at angles, giving the letters a hand-cut, almost stencil-like bite without true stencil breaks. Curves are broad and open (notably in C, G, O, Q), while straight strokes often lean into tapered, pointed ends, producing a lively, irregular rhythm across words. Lowercase forms are small relative to capitals, with simple, single-storey constructions and occasional exaggerated descenders and angled tops that add character. Numerals follow the same cut-terminal logic, with brisk diagonals and compact widths that keep the set visually tight.
Best suited for display settings such as headlines, posters, and logo wordmarks where its cut-terminal silhouettes and playful rhythm can be appreciated. It can also work well on packaging, event graphics, and children’s or entertainment-oriented materials where a casual, handcrafted voice is desirable.
The overall tone feels informal and mischievous—more like lettering made with a marker and a craft knife than a neutral text face. Its bouncy spacing, clipped terminals, and slightly quirky skeletons read as friendly and a bit theatrical, with a retro display energy suited to expressive headlines and playful branding.
The design appears intended to provide a clean sans foundation enlivened by deliberate irregularities—angled cuts, simplified lowercase, and animated curves—to create a distinctive, hand-made display personality while remaining broadly legible.
In the sample text, the face maintains a consistent texture while still showing noticeable per-letter quirks, which helps it feel handmade rather than purely geometric. The distinct angled cuts on many terminals create strong silhouette interest at larger sizes, while the narrow build keeps lines economical and compact.