Sans Normal Oplus 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Moveo Sans' by Green Type, 'Itzkarl' by Hanken Design Co., 'Post Grotesk' by Monotype, 'Core Sans NR' by S-Core, 'DynaGrotesk' by Storm Type Foundry, 'Foundry Form Sans' by The Foundry, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, lively, impact, approachability, clarity, modernity, brand voice, rounded, soft corners, compact, sturdy, clean.
A heavy, rounded sans with compact proportions and a steady, even stroke. Curves are full and open, with softened joins and terminals that read as subtly rounded rather than sharply cut. Counters are moderately tight but remain clear in key forms like O, e, and a, while verticals and bowls keep a consistent thickness that creates a solid, poster-like texture. The lowercase shows a single-storey a and g, short-to-moderate ascenders, and a straightforward, highly legible construction; numerals are similarly robust with simple, geometric silhouettes.
Best suited for headlines, logos, and short-to-medium display text where its heavy color and rounded geometry can read clearly at a distance. It also fits brand systems, packaging, and UI/marketing callouts that benefit from a friendly, modern voice and strong emphasis.
The overall tone is friendly and contemporary, combining warmth from the rounded shapes with a confident, no-nonsense weight. It feels approachable and slightly playful without becoming quirky, making it suitable for upbeat messaging that still needs to land with authority.
The design appears intended to deliver a robust, contemporary sans that stays approachable through rounded shaping and simple letter construction. It prioritizes quick recognition and impact, balancing geometric clarity with soft, welcoming details for versatile display use.
The set produces a dense, high-ink color in text, with relatively small interior spaces compared to the outer shapes. Round letters (C, G, O, Q) feel especially smooth and geometric, while diagonals (K, V, W, X, Y) maintain the same sturdy presence, keeping rhythm consistent across mixed-case settings.