Sans Other Tipe 9 is a very light, normal width, monoline, upright, tall x-height font.
Keywords: headlines, posters, logotypes, ui display, packaging, techno, futuristic, schematic, geometric, experimental, sci-fi styling, constructed geometry, display impact, systemic look, distinctive texture, angular, rectilinear, modular, condensed, open counters.
A rectilinear, geometric sans built from thin, even strokes and sharp corners, with a distinctly modular construction. Curves are largely replaced by angled segments and squared bowls, giving letters a faceted, technical feel. The proportions skew tall and narrow, with simplified joins and occasional deliberate breaks or offsets that create a drawn-with-a-ruler look. Uppercase and lowercase share a consistent skeleton, and the numerals follow the same angular, outlined logic for a cohesive, gridlike rhythm.
Best suited for display typography such as headlines, posters, branding marks, and tech-leaning packaging where its angular construction can carry the visual identity. It can also work for interface-style labels or section headers when used at larger sizes, where the sharp geometry and unconventional details remain legible and intentional.
The overall tone is futuristic and engineered, evoking digital readouts, sci‑fi interfaces, and schematic lettering. Its crisp angles and minimal stroke contrast feel cool, synthetic, and intentionally unconventional, more about attitude and structure than softness or tradition.
The design intention appears to be a stylized, forward-looking sans that prioritizes modular geometry and a constructed, digital aesthetic. It aims to stand apart from neutral grotesks by using squared forms, angled approximations of curves, and distinctive terminals to create a memorable, system-like voice.
Spacing and internal apertures tend to stay open, supporting clarity at display sizes, while some characters use distinctive cut-ins and nonstandard terminals that make the texture more expressive and less neutral. The design reads especially well in all-caps and short lines where the geometric patterning becomes a feature.