Sans Superellipse Oslab 13 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ciutadella' by Emtype Foundry; 'Benton Sans', 'Benton Sans Pro', and 'Benton Sans Std' by Font Bureau; and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: headlines, branding, ui labels, posters, packaging, confident, friendly, modern, robust, clean, high impact, modern branding, clear signage, systematic geometry, rounded, geometric, compact, sturdy, high-clarity.
A heavy, geometric sans with broad, rounded-rectangle curves and smoothly flattened bowls that read as superelliptical rather than purely circular. Strokes are uniform and solid, with minimal modulation, producing a dense, stable texture in text. Counters are relatively generous for the weight, while apertures tend toward the closed side, giving letters a compact, blocky presence. Terminals are largely straight and clean, and joins stay crisp; proportions feel slightly wide in rounded letters with strong verticals in stems, creating a consistent, authoritative rhythm across caps, lowercase, and figures.
Best suited for headlines, signage-style layouts, brand marks, and short blocks of copy where strong presence is desired. The sturdy construction and clean terminals also support UI labels, navigation, and product typography, especially in larger sizes where the rounded geometry reads crisply.
The overall tone is contemporary and dependable: friendly from the softened geometry, but also assertive due to the heavy color and compact construction. It communicates clarity and straightforwardness, leaning more utilitarian than expressive, with a subtly tech-forward, product-driven feel.
The design appears intended to deliver a modern, approachable geometric voice with maximum impact: rounded-rectangle forms for warmth, paired with substantial stroke weight for high visibility and strong typographic color. It aims for a unified system across letters and numbers, emphasizing consistency and straightforward readability.
Uppercase forms are particularly stout and uniform, making them effective for short, emphatic lines. The lowercase maintains the same rounded-geometry logic, keeping word shapes steady and highly legible at large sizes, while the numerals match the same squared-round construction for cohesive data or display use.