Sans Superellipse Vobi 1 is a light, very wide, monoline, upright, normal x-height font.
Keywords: display, branding, logotypes, ui, posters, futuristic, tech, minimal, sleek, clinical, sci‑fi styling, interface design, systematic geometry, modern branding, clean signage, rounded, geometric, superelliptical, modular, extended.
A geometric sans with a rounded-rectangle (superellipse) construction throughout, giving counters and outer shapes a softly squared profile. Strokes are consistently thin and even, with rounded terminals and corners that keep joins smooth and uninterrupted. Proportions are horizontally extended, and many glyphs use flattened curves and long straights for a clean, modular rhythm; forms like C, G, O, and S read as squarish rounds rather than true circles. Details such as the single-storey a, open apertures, and simplified diagonals contribute to a streamlined, engineered feel.
Best suited to display settings where its wide stance and distinctive rounded-square construction can be appreciated: tech branding, logotypes, product names, posters, and motion/interactive graphics. It can also work for UI headings and short labels where a sleek, contemporary tone is desired and spacing can be tuned for clarity.
The overall tone is futuristic and device-oriented, with a calm, measured presence that feels modern and technical rather than expressive. Its rounded-square geometry suggests interfaces, industrial labeling, and sci‑fi styling, while the light stroke keeps it airy and refined.
The font appears designed to translate a superelliptical, rounded-rectangle grid into a readable sans, prioritizing a cohesive geometric system and a contemporary, high-tech voice. The simplified shapes and consistent stroke behavior suggest an intention to stay clean and recognizable at larger sizes, especially in graphic and interface contexts.
The design emphasizes continuity and uniform curvature, producing a consistent texture in text lines where horizontals feel prominent and curves stay tightly controlled. Numerals follow the same rounded-rect logic, reinforcing a cohesive, system-like aesthetic across letters and figures.