Sans Superellipse Verul 5 is a light, very wide, monoline, upright, normal x-height font.
Keywords: ui design, tech branding, headlines, posters, signage, futuristic, tech, minimal, clean, geometric, modernize, systematize, futurism, ui clarity, geometric consistency, rounded, squared-off, streamlined, modular, open.
A geometric sans built from rounded-rectangle (superellipse) shapes, with softened corners and largely straight-sided curves that give bowls and counters a squarish, modular feel. Strokes are consistently even, with crisp terminals and frequent horizontal cuts that emphasize a constructed, UI-like rhythm. The overall width is generous and the letterforms keep a stable, engineered proportioning, with open apertures and simplified joins that maintain clarity at larger sizes. Numerals and capitals echo the same rounded-square geometry, producing a cohesive, systematized texture across text.
Best suited to interface typography, tech and product branding, and contemporary headlines where its modular rounded-square forms can read clearly and feel intentional. It also works well for posters, wayfinding, and short labels where spacing and wide proportions have room to breathe.
The font reads as futuristic and technical, with a calm, minimal presence that feels engineered rather than handwritten. Its rounded-square geometry evokes digital interfaces, sci‑fi titling, and contemporary product aesthetics, while the soft corners keep it approachable instead of aggressive.
The likely intention is a modern geometric sans that translates superellipse forms into a coherent alphabet, prioritizing a clean, constructed look and a distinctive futuristic voice. The consistent stroke behavior and repeated rounded-rectangle anatomy suggest a design aimed at digital contexts and sleek display settings.
The design leans on repeated motifs—rounded corners, flat horizontals, and squared bowls—creating a strong visual signature. Some glyphs show distinctive, stylized constructions (notably in diagonals and curved joins), which adds character but can make the face feel more display-oriented than purely utilitarian in dense paragraphs.