Sans Superellipse Ubmoh 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Autovia' by Santi Rey, 'TT Commons™️ Pro' by TypeType, and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, stickers, playful, chunky, friendly, retro, comic, attention grab, friendly display, playful branding, retro poster, rounded, soft corners, blobby, compact, quirky.
A heavy, compact sans with rounded-rectangle construction and softly irregular contours. Strokes are thick and largely monolinear, with rounded terminals and corners that read more like pressed shapes than drawn calligraphy. Counters are small and often squarish, giving letters a dense, punchy color, while the overall widths vary slightly by glyph, adding a casual rhythm. Uppercase forms are sturdy and simplified; lowercase shows bulbous joins and short extenders that keep the texture tight in running text. Figures match the same chunky geometry, with open, readable silhouettes and minimal interior detail.
Best suited to display uses such as posters, headlines, brand marks, packaging, and short callouts where bold, friendly impact is desired. It can work well for children’s content, playful retail, and informal event materials, and it also lends itself to large UI labels or badges where a soft, chunky tone is appropriate.
The overall tone is upbeat and approachable, with a toy-like, cartoonish warmth. Its soft edges and compact mass feel informal and friendly, suggesting handmade personality without becoming fully rustic. The dense black shapes also give it a confident, attention-grabbing presence suitable for fun-forward messaging.
The design appears intended to deliver maximum impact with a soft, rounded silhouette—combining dense, blocky letterforms with a cheerful, slightly irregular texture. It prioritizes personality and immediacy over delicate detail, aiming for a fun display voice that stays readable at larger sizes.
Spacing appears generous enough to prevent the heavy shapes from clogging, but the small counters and thick joins can make long passages feel visually dense. The slightly uneven edges and varying widths contribute to a lively, imperfectly polished character that reads best when size and contrast are on its side.