Sans Superellipse Dubik 6 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Hydrargyrum' by Type Minds (names referenced only for comparison).
Keywords: headlines, logos, posters, signage, packaging, techno, industrial, retro-futurist, sporty, utilitarian, impact, systemized, futurism, branding, squared, rounded, compact, modular, stencil-like.
A squarish, rounded-rectangle sans with a modular, superellipse construction throughout. Strokes are heavy and even, with generous corner radii and mostly straight-sided curves that create a compact, engineered silhouette. Counters tend to be rectangular and tightly controlled, apertures are relatively small, and joins stay crisp, giving the face a dense, blocky rhythm. Lowercase forms follow the same geometry, with simple, single-story constructions and sturdy terminals; figures are similarly boxy and uniform, emphasizing a digital, panel-like feel.
Best suited to display applications where its compact, squared geometry can be appreciated—headlines, branding marks, product packaging, event posters, and wayfinding-style signage. It also works well for UI or interface-inspired graphics, labels, and short technical callouts where a bold, engineered presence is desired.
The overall tone reads technical and machine-made, with a retro-digital flavor reminiscent of hardware labels, arcade interfaces, and industrial signage. Its squared softness balances friendliness with authority, projecting a confident, functional voice rather than a humanist one.
The design appears intended to deliver a sturdy, futuristic sans built from rounded-rectangular primitives, prioritizing uniformity, impact, and a systemized look. It emphasizes a controlled, industrial geometry that stays consistent across caps, lowercase, and numerals for a cohesive display voice.
Rounded corners and rectangular counters create strong pixel-adjacent cues without becoming a true bitmap style. The tight interior spaces and compact shapes can make text feel heavy and emphatic, especially in longer lines, while short words and headings keep the forms punchy and distinctive.