Sans Other Onla 5 is a bold, very wide, medium contrast, upright, normal x-height font.
Keywords: logotypes, headlines, posters, game ui, tech branding, futuristic, tech, industrial, sci-fi, mechanical, tech display, modular system, stencil effect, sci-fi tone, stencil, segmented, rounded corners, geometric, modular.
A modular, geometric sans with wide, squared proportions and softly rounded outer corners. Strokes are heavy and largely monolinear, but many glyphs are deliberately interrupted by horizontal and occasional vertical breaks, creating a segmented, stencil-like construction. Curves are simplified into rounded rectangles, counters tend to be squarish and open, and several joins are cut or notched, giving characters a constructed, engineered feel. The overall rhythm is compact and blocky, with clear baseline alignment and consistent stroke terminals that read as machined rather than handwritten.
Best suited to display settings where its segmented construction can be appreciated: logos, wordmarks, headlines, packaging accents, sci‑fi or tech-themed posters, and interface titling in games or motion graphics. It works especially well for short bursts of text, signage-style labeling, and branding elements that want an engineered, digital flavor.
The segmented structure and rounded-rect geometry evoke a futuristic, industrial tone—reminiscent of digital displays, spacecraft labeling, and engineered interfaces. It feels assertive and technical, with a distinctly synthetic personality that reads as sci‑fi without relying on ornament.
The design appears intended to merge a broad, geometric sans foundation with stencil-like segmentation to create a distinctive techno voice. By repeating consistent internal breaks and rounded-corner geometry across the alphabet, it aims for a cohesive, modular system that stands out in display typography while still maintaining a recognizable sans skeleton.
The intentional breaks inside letters and across horizontal strokes add texture and motion but also reduce continuity at smaller sizes, where the segmentation can compete with letter recognition. In longer text, the distinctive cut-ins create a strong patterning effect, so spacing and size choices will matter for readability.