Sans Normal Vulep 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Gilroy' and 'Qanelas Soft' by Radomir Tinkov, 'Core Sans C' and 'Core Sans CR' by S-Core, and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, ui labels, friendly, modern, playful, approachable, clean, approachability, modernization, soft geometry, clarity, display impact, rounded, soft corners, geometric, monoline, open apertures.
A rounded sans with monoline strokes and generously curved joins. Letterforms lean on simple geometric construction—near-circular bowls and smoothly radiused terminals—while keeping counters open and proportions steady. Capitals are broad and stable with straightforward, unadorned structures; the lowercase shows a single-storey “a” and “g,” a compact “t” with a short crossbar, and an overall even rhythm that reads clearly at display sizes. Numerals are similarly soft and geometric, with rounded shapes and consistent stroke endings that match the alphabet.
Well-suited to brand identities that want a friendly, modern feel, as well as headlines, posters, and packaging where rounded geometry can read as welcoming. It can also work for UI labels and signage-like applications where clear, open shapes help quick recognition, especially at medium to large sizes.
The overall tone is friendly and contemporary, with a mild playfulness coming from the softened corners and rounded terminals. It feels approachable and informal without becoming novelty, lending a warm, easygoing voice to headlines and short passages.
The design appears intended to offer a clean, contemporary sans with softened geometry for a more approachable personality. Its consistent stroke weight and rounded terminals suggest a focus on smooth texture and easy readability in prominent, everyday design contexts.
Curves are smooth and consistent across bowls and shoulders, producing a cohesive texture in words. The design favors clarity through open forms (notably in letters like c, e, and s) and avoids sharp vertices, giving the type a gentle, polished finish.