Sans Superellipse Omkam 10 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Climbing Nevis' by Braw Type, 'Cream Opera' by Factory738, 'Highriser' by Nicolas Deslé, and 'Merchanto' by Type Juice (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, modern, industrial, confident, utilitarian, sporty, space saving, strong impact, modern utility, graphic clarity, condensed, geometric, squared-round, high-contrast counters, compact.
A condensed, geometric sans with squared-round (superellipse-like) bowls and consistently heavy, even stroke widths. Curves transition into flats with crisp corners, producing rectangular counters in letters like O, D, and P and a compact, engineered rhythm. Terminals are blunt and clean, with short crossbars and tight apertures that keep the overall texture dense and vertical. Lowercase forms follow the same logic, with compact shoulders and sturdy stems, while numerals are wide-shouldered and blocky to match the set’s strong presence.
Best suited to short, high-impact settings such as headlines, posters, signage, and packaging, where its condensed width and heavy strokes maximize presence. It can also work for branding lockups and UI labels when space is limited and a strong, structured voice is desired.
The tone is modern and assertive, combining an industrial straightforwardness with a sporty, poster-ready punch. Its condensed build and squared-round geometry read as efficient and no-nonsense, suited to branding that wants to feel contemporary and confident.
The likely intent is a space-efficient display sans that stays highly legible while projecting a contemporary, engineered personality. By building round forms from squared curves and keeping stroke weight consistent, the design aims for a bold, graphic texture that holds up well in large sizes and dense compositions.
The design emphasizes tall verticals and tight interior space, creating strong word-shapes and a firm, uniform color on the page. The rounded-rectangle construction is especially evident in the round letters and in the way curves meet stems, giving the face a distinctive technical character even in longer text.