Sans Superellipse Etkum 6 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'Roundkey' by 38-lineart, 'European Sans Pro' by Bülent Yüksel, 'Sugo Pro' by Zetafonts, and 'Pulse JP' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, wayfinding, sporty, urgent, modern, technical, confident, space saving, dynamic emphasis, modern utility, clean neutrality, display impact, condensed, oblique, rounded, compact, clean.
This is a compact, oblique sans with smooth, rounded terminals and softly squared (superelliptical) curves. Strokes are fairly uniform, with minimal contrast and a sturdy, slightly squared-off construction that keeps counters tight and forms efficient. The caps are tall and streamlined, while the lowercase maintains a straightforward, contemporary structure with simple joins and controlled apertures. Numerals match the same compressed, forward-leaning rhythm, reading as utilitarian and consistent alongside the letters.
It performs best in short-to-medium display settings where a condensed, energetic texture is helpful—headlines, promotional posters, sports and performance branding, and packaging callouts. It can also work for wayfinding or UI accents when a compact footprint and strong directional emphasis are desired.
The overall tone feels brisk and performance-oriented, with a forward slant that implies speed and momentum. Its compact width and clean geometry give it a modern, functional voice—confident rather than expressive, suited to messages that need to feel decisive and energetic.
The design appears intended to deliver a fast, space-saving sans with a contemporary, rounded-rect geometry and a clearly directional slant. It prioritizes dense readability and a punchy texture, aiming for modern utility with a subtle softness from the rounded shaping.
Spacing and rhythm appear tight and even, producing a dense, poster-friendly texture in lines of text. Rounded corners keep the face from feeling harsh despite the condensed proportions, and the oblique angle is pronounced enough to read as intentionally dynamic rather than merely slanted.