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Free for Commercial Use

Calligraphic Myba 2 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: invitations, packaging, book covers, posters, branding, whimsical, storybook, friendly, playful, vintage, hand-lettered feel, decorative charm, readable display, playful formality, curly terminals, rounded forms, soft joins, humanist, decorative.


Free for commercial use
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A light, monoline handwritten display face with gently irregular rhythm and variable character widths. Strokes stay largely even in thickness, with smooth curves, rounded bowls, and frequent curled terminals that feel pen-drawn rather than mechanically constructed. Capitals are tall and narrow with simple, calligraphic proportions, while lowercase forms are open and bouncy, showing occasional looped ascenders/descenders and softly flared entry/exit strokes. Numerals follow the same informal logic, mixing straightforward skeletons with small hooks and swashes for a cohesive, hand-rendered texture.

Well suited for short to medium display settings such as invitations, greeting cards, boutique branding, packaging labels, posters, and book or chapter titles. It can also work for pull quotes or UI headings where a friendly handmade tone is desired, especially when paired with a quieter text face.

The overall tone is charming and slightly theatrical—suggesting storybook titling, friendly signage, and a touch of old-fashioned whimsy. Curled terminals and jaunty proportions give text a lively, personable voice that reads as warm and approachable rather than strict or technical.

The letterforms appear intended to mimic careful, formal hand lettering: upright, unconnected shapes with restrained flourish, prioritizing charm and legibility over strict typographic regularity. The consistent monoline construction and repeated curled terminals suggest a goal of creating a recognizable, decorative voice that stays readable across mixed-case text and numerals.

The design relies on distinctive terminals and gentle baseline liveliness to create character, so it tends to look best when given a bit of space and used at sizes where the delicate hooks and curves remain clear. In longer passages, its decorative endings become a consistent pattern that can feel busy, reinforcing its display-oriented personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸