Sans Superellipse Ofmod 8 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Crux' by Sensatype Studio and 'Bananku' and 'Neisson' by Umka Type (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, packaging, futuristic, techy, playful, friendly, industrial, modernity, impact, clarity, systematic, rounded, squared, modular, geometric, compact.
A heavy, rounded-rectangle sans built from superelliptical curves and straight segments, producing soft corners and a distinctly squared silhouette. Strokes stay largely even and solid, with generous rounding at terminals and junctions that keeps the dense weight from feeling sharp. Counters are compact and often squarish (notably in C, O, D, and e), and apertures tend to be tight, creating a sturdy, blocky texture. The alphabet shows a high x-height and short extenders, while the numerals are similarly compact; the slashed zero is prominent and clear.
Best suited to display sizes where its compact counters and rounded-square construction read clearly—such as headlines, brand marks, packaging, and posters. It can also work for short UI labels or tech-themed graphics when a robust, geometric voice is desired, but longer text may feel dense due to the tight apertures and heavy color.
The overall tone is modern and tech-forward with a friendly, game-like softness. Its rounded geometry suggests contemporary UI and device aesthetics, while the tight spacing and chunky forms add an industrial, utilitarian confidence.
The font appears designed to evoke a contemporary, engineered look by combining sturdy weight with softened corners and squarish curves. Its consistent geometry and compact proportions suggest an intention to deliver strong impact and immediate recognizability in modern, technology-adjacent contexts.
The design leans on consistent corner radii and modular construction, which gives lines of text a uniform, engineered rhythm. Some shapes adopt distinctive geometric decisions (such as a pointed, angular W and a single-storey a), reinforcing the font’s stylized, display-oriented personality.