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Free for Commercial Use

Wacky Ablah 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Murisa Baby Fish', 'Murisa BabyFish', and 'Murisa Ulyana' by Murisa Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event promos, playful, cartoonish, retro, cheeky, hand-cut, attention-grabbing, humor, novelty branding, retro flavor, rounded, blobby, soft corners, slanted, quirky.


Free for commercial use
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A heavy, slanted display face built from compact, rounded forms with chunky strokes and softly faceted terminals. Curves are generous and slightly squashed, while many joins and stroke endings resolve into angled, cut-like corners that give the silhouettes a carved, irregular finish. Counters are small and unevenly shaped, and the overall rhythm feels bouncy and kinetic rather than mechanically uniform. The numerals and lowercase follow the same bulbous, tilted construction, maintaining a cohesive, intentionally offbeat texture in text.

Best suited to bold headlines, posters, packaging accents, and short promotional copy where its quirky silhouettes can carry the message. It also fits playful branding moments such as stickers, merch, titles, and social graphics that benefit from a cartoon-leaning, high-impact voice.

The font projects a humorous, animated tone—part comic title lettering, part retro sign paint—mixing friendliness with a mischievous edge. Its chunky, lopsided momentum reads as energetic and informal, suggesting fun, novelty, and a lightly chaotic personality.

The design appears intended to deliver maximum personality and immediacy through exaggerated weight, a consistent forward slant, and deliberately irregular finishing details. Its construction prioritizes character and visual punch over neutrality, aiming for a memorable, decorative presence in display typography.

In longer lines the dense weight and small apertures create a dark, lively texture, so it works best when given room to breathe. The distinctive angular cuts and curled terminals provide strong recognition at display sizes, while tight spacing or small sizes may reduce clarity as counters close up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸