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Free for Commercial Use

Serif Flared Tohu 6 is a bold, wide, medium contrast, upright, tall x-height font visually similar to 'BR Segma' by Brink, 'Hando' by Eko Bimantara, 'Monni' by Matt Chansky, 'Crique Grotesk' by Stawix, 'Foundry Context' by The Foundry, and 'Clobber Grotesk' by Wordshape (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, posters, confident, traditional, authoritative, literary, impact, readability, classic tone, editorial voice, brand authority, bracketed, flared terminals, crisp, robust, high-clarity.


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A robust serif with pronounced, bracketed serifs and subtly flared stroke endings that give the letterforms a sculpted, carved feel. The design is weighty with compact internal counters and a steady, upright stance, producing strong color in text. Curves are smooth and generously rounded, while joins and terminals stay crisp; diagonals in letters like V, W, and Y read firm and stable. The lowercase shows a large x-height and sturdy proportions, with a two-storey a, a looped g with a distinct ear, and clear, open apertures that help maintain legibility at display and text sizes.

This font performs especially well in headlines, decks, and editorial typography where a strong serif voice is needed. Its heavy, steady texture and clear forms also suit branding applications, poster work, and pull quotes, particularly where a traditional-but-bold impression is appropriate.

The overall tone is confident and editorial, balancing a classical, bookish sensibility with a modern boldness. It feels authoritative and dependable, suited to settings where clarity and gravitas are desired without looking overly delicate or ornate.

The design appears intended to deliver a bold, readable serif with a classical foundation and flared finishing details that add warmth and distinction. It aims for a strong typographic “color” and confident rhythm, prioritizing clarity and impact across prominent sizes and dense text settings.

Numerals are sturdy and highly readable, with clear differentiation (notably the 6/8/9) and consistent serif treatment. Capital shapes are broad and even, and punctuation in the sample text holds up well at larger sizes, reinforcing the font’s strong presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸