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Free for Commercial Use

Serif Flared Tohu 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'BR Nebula' and 'BR Segma' by Brink, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, and 'Mundial' by TipoType (names referenced only for comparison).

Keywords: headlines, editorial, branding, packaging, book covers, heritage, confident, scholarly, formal, authority, readability, premium feel, editorial voice, display impact, bracketed, flared, calligraphic, high-clarity, robust.


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A sturdy serif with pronounced flaring at stroke terminals and bracketed serif joins that give the letterforms a carved, slightly calligraphic finish. The design has broad, rounded bowls and clear apertures, with a firm vertical stress and a steady, even rhythm across text. Stroke modulation is present but controlled, creating strong dark shapes without feeling brittle; curves transition smoothly into stems, and terminals often finish in wedge-like, gently splayed ends. Proportions are traditional and readable, with compact counters in the boldest areas and well-defined numerals built on the same sturdy, flared logic.

This face performs best in headlines, decks, pull quotes, and other editorial typography where a strong serif texture adds authority. Its robust strokes and clear forms also suit branding and packaging that wants a traditional, premium feel, and it can work for book-cover titling and section headings where presence and readability are both required.

The tone is classic and authoritative, balancing bookish refinement with a muscular, contemporary presence. It reads as dependable and institution-friendly, suited to messages that need credibility and composure while still feeling warm and crafted.

The design appears intended to modernize a traditional serif voice by using flared, wedge-like endings and sturdy proportions to produce a confident, highly legible texture. It aims to bridge classic editorial credibility with a bold, attention-holding silhouette for contemporary display settings.

Capital forms appear especially weighty and stable for display use, while the lowercase maintains clarity through generous openings and distinct shapes in potentially confusable letters. The overall color on the line is dark and consistent, lending strong emphasis in headlines and confident texture in short-to-medium text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸