Cursive Velu 2 is a regular weight, normal width, high contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, social media, branding, expressive, casual, bold, playful, energetic, hand-lettered feel, bold display, personal tone, dynamic motion, informal warmth, brushy, slanted, calligraphic, tapered, textured.
A dynamic brush-pen script with a pronounced rightward slant and high-contrast stroke modulation. Letterforms show tapered entries and exits, swelling mid-strokes, and slightly textured edges that suggest a dry-brush or quick marker pass. The rhythm is fast and gestural with variable advance widths and lively, sometimes compressed counters; joins are implied by flowing construction even when letters don’t fully connect. Capitals are prominent and swooping, while the lowercase stays relatively compact with a short x-height and tall ascenders that keep the line silhouette animated.
Best suited for short-to-medium display settings where energy and personality are desired—posters, product packaging, social graphics, event titles, and branding accents. It can also work for pull quotes or subheads when ample size and spacing preserve the brush detail and prevent the dense downstrokes from clumping.
The overall tone feels personal and spontaneous, like confident hand-lettering done at speed. Its bold, inky presence reads friendly and assertive, with a touch of dramatic flair that suits attention-grabbing messaging rather than quiet neutrality.
This design appears intended to capture the look of hand-painted script—fast, bold, and slightly rough-edged—while remaining consistent enough for repeatable typographic use. The strong slant, pronounced contrast, and emphatic capitals suggest a focus on expressive display typography that adds character and momentum to a layout.
The numerals follow the same brushy logic with strong diagonals and tapered terminals, maintaining visual continuity with the letters. In longer text, the pronounced slant and contrast create an active texture, and the darker downstrokes become the primary carriers of emphasis.