Sans Other Elke 5 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'Midsole' by Grype, 'Refinery' by Kimmy Design, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, logos, sports, gaming, posters, futuristic, sporty, techno, aggressive, industrial, speed cue, tech styling, display impact, brand distinctiveness, angular, oblique, stencil-like, squared, rounded corners.
A slanted, geometric sans with squared counters and rounded-rectangle curves, built from consistent stroke weight and tight, engineered joins. Many forms are constructed from segmented strokes with deliberate breaks and cut-ins that create a stencil-like rhythm, especially in bowls and terminals. Corners are often chamfered, and horizontal strokes tend to be flat and clipped, giving letters a compact, aerodynamic profile. Numerals and caps follow the same modular logic, with distinctive internal notches and simplified, high-impact silhouettes that hold together well at display sizes.
Best suited to headlines, branding marks, titles, and short UI/overlay phrases where its angular details and speed cues can be appreciated. It fits sports identity systems, gaming/stream graphics, motorsport or tech event posters, and product naming where a dynamic, engineered look is desired.
The overall tone reads fast, technical, and performance-oriented, with a distinctly futuristic edge. Its chopped terminals and interrupted strokes suggest machinery, racing graphics, and sci‑fi interfaces rather than neutral text typography.
The font appears designed to deliver a high-energy, forward-leaning sans voice with a modular, cut-through construction that feels manufactured and modern. The intentional breaks and chamfers seem aimed at adding uniqueness and motion while preserving bold, readable silhouettes for display applications.
The design leans on repeated motifs—angled cuts, inset gaps, and squared bowls—which creates strong stylistic cohesion across uppercase, lowercase, and figures. The italic slant contributes to forward motion, while the open spacing within some counters and breaks adds a crisp, mechanical texture in words and headlines.