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Free for Commercial Use

Sans Contrasted Ofmad 1 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Kingcup' by Fridaytype (names referenced only for comparison).

Keywords: editorial, headlines, magazines, branding, book covers, refined, classic, formal, authoritative, elegant contrast, editorial clarity, premium tone, classic modernity, sharp, crisp, bracketed, vertical stress, sculpted.


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A high-contrast, upright design with crisp terminals and pronounced thick–thin modulation that gives the letterforms a sculpted, calligraphic feel. Uppercase shapes are compact and decisive with narrow joins and sharp internal corners, while lowercase maintains a steady rhythm and a moderate x-height for clear word shapes. Curves are smooth and tensioned, counters stay relatively open, and many letters show subtle bracket-like transitions and tapered endings that keep the overall texture lively rather than monoline. Numerals follow the same contrast and curvature, reading clean and slightly formal in tone.

This font performs well in editorial contexts such as magazine typography, book or report titling, and other headline-driven layouts where contrast can add elegance. It also suits branding applications that aim for a classic, premium voice, and can work for short to medium text blocks when set at sizes that preserve the thin strokes and maintain an even texture.

The font conveys an editorial, refined mood—confident and traditional without becoming overly decorative. Its sharp contrast and crisp endings add a sense of ceremony and authority, making text feel composed and intentional. Overall, it reads as polished and slightly dramatic, suitable for settings that want sophistication and clarity.

The likely intention is a contemporary, high-contrast display/text hybrid that brings traditional, calligraphy-informed modulation into a clean, controlled structure. It aims to deliver a refined typographic voice with strong presence, balancing sharpness and readability for editorial-oriented design.

In paragraphs, the strong vertical emphasis and tight, well-contained forms create a dark, confident text color, with contrast providing sparkle at larger sizes. The lowercase shows clear differentiation between similar shapes (e.g., i/j, r/n), supporting legibility, while the more pronounced contrast suggests best results with comfortable spacing and sizes that let thin strokes breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸