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Stencil Elgy 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Magnitudes' by DuoType, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Fester' by Fontfabric, and 'Panfleta Stencil' by deFharo (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, tactical, rugged, authoritative, utilitarian, impact, stencil utility, display strength, systematic forms, angular, condensed feel, geometric, cutout, high-contrast.


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This typeface uses heavy, monoline strokes with a stencil construction throughout, creating clear breaks that act as bridges and give each letter a cut-out silhouette. Forms are largely geometric and rectilinear, with squared counters and sharp, chamfer-like terminals rather than rounded joins. The rhythm is compact and blocky, with tall uppercase proportions, narrow interior apertures, and consistent stroke weight that keeps the texture dense in setting. Lowercase maintains the same engineered, segmented logic, producing a unified system of angular shapes that reads more as constructed signage than handwritten detail.

This font is well suited to posters, headlines, product packaging, and signage where an industrial stencil flavor is desired. It can also work effectively for labels, section headers, and branding marks that benefit from a bold, constructed texture and strong silhouette.

The overall tone feels industrial and tactical, with a rugged, no-nonsense voice that suggests equipment labeling, crates, and utilitarian typography. Its sharp cut-ins and broken strokes add a sense of precision and toughness, lending an authoritative presence in display contexts.

The design appears intended to deliver a hard-edged, manufactured look by combining heavy, uniform strokes with systematic stencil breaks. It prioritizes impact, durability, and a cut-out aesthetic that remains consistent across uppercase, lowercase, and numerals.

Numerals and key capitals (such as O/Q and S) emphasize the stencil gaps strongly, which increases character distinctiveness at larger sizes while creating a busy, dark color in long lines. The design relies on negative-space cuts and straight edges, so it looks most confident when given room to breathe and when used for short, punchy wording.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸