Stencil Gyha 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Scout Athletic Typeface' by Hipfonts, 'Behover' by Martype co, 'Stallman Round' by Par Défaut, 'Exabyte' by Pepper Type, 'Alma Mater' and 'Oscar Bravo' by Studio K, and 'Super Duty' by Typeco (names referenced only for comparison).
Keywords: posters, headlines, signage, branding, packaging, industrial, authoritative, military, retro, mechanical, stencil marking, industrial display, tactical branding, retro signage, octagonal, angular, blocky, compressed, modular.
A compact, angular display face built from heavy rectangular strokes with chamfered corners and frequent stencil breaks. The forms feel modular and engineered, with squared counters, flat terminals, and a tightly controlled rhythm that stays consistent across caps, lowercase, and numerals. Stencil bridges are prominent in letters like A, O, P, R, and 0/8/9, creating segmented interiors while keeping the silhouettes strong. Lowercase echoes the uppercase architecture, with simplified bowls and a tall, sturdy presence that reads best at larger sizes.
Works well for short, high-impact text such as headlines, posters, logotypes, badges, and signage where a rugged stencil aesthetic is desired. It also suits packaging and product labeling that aims for an industrial or tactical mood, especially when set with generous tracking to emphasize its segmented shapes.
The tone is tough and utilitarian, evoking painted markings, fabricated signage, and equipment labeling. Its sharp, cut-in geometry gives it a disciplined, no-nonsense voice with a retro-industrial edge.
Likely intended as a bold stencil display for themes that reference machinery, military marking, construction, or vintage industrial typography. The consistent chamfers and deliberate breaks suggest a focus on reproducible, paint-cut lettering and high visual impact.
The design relies on straight strokes and clipped diagonals rather than curves, producing a distinctly octagonal feel in rounded characters. Some glyphs lean toward monolinear construction and symmetry, which reinforces a technical, standardized look across the set.