Sans Superellipse Ugrom 1 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Direct Mail' by Partnrz, and 'Amsi Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app promos, sporty, urgent, muscular, modern, punchy, impact, space-saving, motion, athletic tone, modern branding, condensed, oblique, blocky, rounded, compact.
A compact, condensed sans with a heavy, tightly packed build and a consistent oblique slant. Letterforms are constructed from rounded-rectangle geometry: bowls and counters read as squarish superellipses with softened corners, giving the face a sturdy, engineered feel. Strokes stay broadly uniform, terminals are blunt, and joins are firm, producing a dense rhythm and strong vertical presence. The lowercase keeps simple, single-story shapes and open apertures where possible, while numerals follow the same blocky, rounded-rect logic for a cohesive set.
This font is well suited to short, high-impact text such as headlines, posters, sports branding, product packaging, and promotional graphics where bold presence matters. It works especially well in stacked layouts and condensed columns, and can add motion to titles, labels, and campaign lockups.
The overall tone is assertive and energetic, with a clear sports-and-poster sensibility. Its slanted stance and thick silhouettes create a sense of motion and urgency, while the rounded corners keep it friendly enough for contemporary branding rather than purely industrial signage.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing a condensed silhouette with rounded-rectangle construction for a modern, athletic voice. The consistent oblique angle and uniform stroke weight suggest a focus on speed, strength, and easy recognition in display settings.
Spacing appears tight by default, reinforcing the compressed, headline-oriented color on the page. The oblique angle and broad forms make the type most comfortable at display sizes where counters and interior shapes remain clearly readable.