Sans Superellipse Ugnek 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Bladi Two 4F' by 4th february, 'Magnitudes' by DuoType, 'Midfield' by Kreuk Type Foundry, and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logotypes, sporty, assertive, energetic, retro, industrial, impact, dynamism, brand voice, poster display, sport emphasis, rounded, compact, oblique, blocky, soft corners.
A heavy, rounded sans with an oblique slant and a compact, superelliptical construction. Strokes are consistently thick with minimal modulation, and terminals are blunt with softened corners, producing a squared-yet-rounded silhouette. Counters tend to be tight and often rectangular/rounded-rect in feel, while apertures are relatively small, giving the face a dense color in text. The rhythm is punchy and slightly irregular in width across letters, with sturdy verticals and short, robust arms and crossbars that keep forms compact and stable.
Best used for display applications where impact matters: headlines, posters, apparel/sports graphics, product packaging, and bold brand marks. It can also work for short UI labels or signage where strong contrast against the background is available, but longer passages may feel heavy due to the dense counters and compact openings.
The overall tone is bold and kinetic, combining softness from the rounded corners with a muscular, forward-leaning stance. It reads as sporty and assertive, with a subtle retro-industrial flavor that feels suited to high-impact messaging.
The design appears intended to deliver a compact, high-energy italic display voice built from rounded-rectangle forms—prioritizing punch, cohesion, and a distinctive blocky silhouette over delicate detail.
Uppercase forms emphasize squared curves and narrow openings (notably in C/G/S), while rounded letters like O and Q retain a boxy, superelliptical profile. Numerals match the same dense geometry, with closed, compact bowls and a strong, poster-like presence. At smaller sizes, the tight counters and heavy weight can reduce interior clarity, while at display sizes the shapes feel intentional and graphic.