Sans Superellipse Ipvi 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Imago W1G' by Berthold, 'Eurocine' by Monotype, and 'Rochester Serial' by SoftMaker (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, app headers, sporty, assertive, dynamic, modern, punchy, impact, speed, display, branding, emphasis, oblique, blocky, rounded, compact apertures, soft corners.
A heavy, oblique sans with broad proportions and rounded-rectangle construction. Strokes are thick and confident with clean, mostly uniform terminals and softly squared corners that keep the texture smooth rather than sharp. Counters are compact and apertures tend to be tight, creating dense, high-impact word shapes; the round letters read as superelliptical rather than circular. Overall spacing and rhythm favor strong, poster-like presence, while the slant and sturdy diagonals add forward motion.
Best suited to large-scale typography such as headlines, sports and fitness identities, event posters, and bold packaging where impact is the priority. It also works well for UI and app headers, promotional banners, and short emphatic statements, especially when you want a fast, energetic voice. For longer copy, larger sizes and comfortable line spacing will help preserve clarity.
The font projects speed and strength, with a distinctly athletic, headline-driven tone. Its rounded blockiness keeps it friendly enough for mainstream branding, but the density and slant make it feel energetic and competitive. The overall impression is modern, loud, and confident.
Designed to deliver maximum impact with a fast, forward-leaning stance and a rounded, contemporary shape language. The letterforms appear tuned for compact, powerful word shapes and consistent heft across caps, lowercase, and figures—ideal for display settings that need immediacy and momentum.
Uppercase forms feel especially solid and signage-ready, while the lowercase maintains the same muscular build and oblique stance for consistent color in text. Numerals match the weight and geometry closely, supporting attention-grabbing numeric callouts. The combination of tight apertures and heavy mass suggests it will read best when given room to breathe rather than being over-condensed in long passages.