Sans Faceted Laza 6 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Festivo Clean' by Ahmet Altun, 'Neusa Neu' by Inhouse Type, 'Autogate' by Letterhend, 'SK Merih' by Salih Kizilkaya, 'Merchanto' by Type Juice, and 'Refuel' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, signage, industrial, rugged, utilitarian, retro, mechanical, impact, ruggedness, industrial tone, display focus, blocky, angular, faceted, stenciled feel, compressed.
A condensed, heavy sans with faceted construction: curves are reduced to short straight segments, producing polygonal bowls and chamfered corners. Strokes are thick and largely uniform, with a slightly irregular, rough edge that reads like distressed ink or worn stamping rather than crisp vector outlines. Counters are compact and often squared-off, and the overall proportions are tall with tight internal space, creating a dense, vertical rhythm. The lowercase follows the same angular logic with sturdy, simplified forms and minimal modulation.
Best used for short, high-impact copy such as posters, headlines, labels, and industrial-leaning branding where the rough faceting can be appreciated. It also suits signage or packaging that benefits from a stamped or rugged aesthetic. For long reading at small sizes, the dense counters and textured edges may feel heavy, so it tends to perform strongest at display sizes.
The face projects an industrial, workmanlike attitude with a hint of retro hardware signage. Its distressed facets add grit and toughness, suggesting durability, friction, and impact rather than refinement. Overall it feels assertive and mechanical, suited to bold, no-nonsense communication.
The design appears intended to merge a condensed, strong sans foundation with a faceted, distressed finish, evoking cut-metal geometry or worn stamped lettering. The goal seems to be immediate punch and a tactile, industrial voice while keeping the forms straightforward and highly legible at larger sizes.
The texture is consistent across letters and numerals, giving large settings a tactile, printed-on-surface character. Diagonals and joins are intentionally blunt, and the faceting becomes a defining motif in round letters like C, O, and G, where the polygonal approach is most visible.