Sans Superellipse Liwa 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Neuron' by Corradine Fonts, 'Revx Neue Rounded' by OneSevenPointFive, 'Obvia' by Typefolio, and 'JP Alva' by jpFonts (names referenced only for comparison).
Keywords: ui labels, app branding, packaging, posters, signage, friendly, modern, techy, playful, clean, rounded modernity, ui friendliness, geometric clarity, systematic consistency, rounded corners, soft terminals, boxy rounds, monoline, open counters.
A rounded, monoline sans built from squarish curves and superellipse-like bowls, giving letters a soft-rectangular skeleton rather than purely circular forms. Strokes stay even with minimal contrast, and corners are broadly radiused, producing smooth joins and gentle terminals throughout. Proportions are compact and stable, with slightly condensed-feeling capitals, a straightforward, upright stance, and clear interior spaces that remain open in text. Numerals and punctuation follow the same rounded-rectangle logic, creating a consistent, modular rhythm across the set.
Well-suited to interface labels, dashboards, and product surfaces where a rounded, technical voice is desired. It also works for branding, packaging, and headlines that benefit from a friendly-geometric personality, and remains readable in short paragraphs when set with comfortable spacing.
The overall tone is approachable and contemporary, with a subtle “device UI” flavor from the rounded-square geometry. It feels playful without becoming novelty, balancing friendliness with a tidy, engineered consistency that reads as modern and mildly futuristic.
The design appears intended to merge geometric clarity with softened edges, using rounded-rectangle construction to evoke modern hardware and UI aesthetics while staying welcoming. It prioritizes consistency of curvature and a clean, even rhythm for dependable display and text use in contemporary contexts.
Several shapes lean into squared-off curves (notably in bowls and counters), which creates a distinctive, systematic texture in paragraphs. The lowercase maintains a simple, utilitarian construction with soft terminals, helping longer lines feel smooth and even rather than calligraphic.