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Free for Commercial Use

Sans Superellipse Idniz 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Tusker Grotesk' by Lewis McGuffie Type, 'Blunt' by Miller Type Foundry, and 'Bigticy' by Présence Typo (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, sturdy, industrial, sporty, poster-ready, compact, impact, bold branding, high visibility, compact economy, blocky, rounded, geometric, squared, heavy.


Free for commercial use
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This typeface uses dense, monoline strokes with broad, squared proportions softened by rounded corners. Curves resolve into rounded-rectangle shapes rather than true circles, giving counters and bowls a compact, superelliptical feel. Terminals are mostly flat and blunt, with minimal modulation and tight internal space in letters like B, P, R, and a. The lowercase is strongly built with a tall x-height and short ascenders/descenders, while overall spacing and sidebearings read as intentionally tight for high-impact setting.

Best suited to headlines and short, bold statements in posters, advertising, and packaging where maximum impact is desired. It can also work well for sports branding, event graphics, and straightforward signage, especially when set with slightly generous spacing to maintain legibility in dense text.

The overall tone is forceful and no-nonsense, with a confident, workmanlike presence. Its rounded corners keep it from feeling harsh, but the heavy, condensed-looking forms still communicate strength and urgency typical of attention-grabbing display typography.

The design appears intended to deliver a compact, high-impact voice using rounded-rectangle construction and simplified details. It prioritizes bold presence and consistent geometry over delicate letterfit, aiming for clarity and punch in display sizes.

Many forms favor squared geometry (notably O/0 and C/G) with softened corners, creating a consistent, engineered rhythm across letters and numerals. The punctuation shown is minimal, and the sample text suggests the design holds up best when given enough size and tracking to preserve counter clarity.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸