Sans Faceted Mida 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Innova' by Durotype, 'Catesque' by Gumpita Rahayu, 'Bega' by Indian Type Foundry, 'Interval Next' by Mostardesign, 'Fact' by ParaType, and 'Kobern' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, sportswear, industrial, technical, sporty, modern, geometric, machined look, geometric clarity, display impact, modern utility, angular, chamfered, octagonal, monoline, sturdy.
An angular, faceted sans with strokes built from straight segments and chamfered corners, replacing curves with crisp planar cuts. The forms are monoline and sturdy, with predominantly squared terminals and octagonal bowls in letters like O/Q as well as in the numerals. Proportions lean toward compact, engineered shapes with clear counters and consistent stroke rhythm, while punctuation-like details (dots, shoulders, crossbars) keep a clean, utilitarian geometry.
Best suited to headlines and display settings where the faceted construction can be appreciated—branding, posters, packaging, and signage. It also fits technical interfaces, equipment labeling, and sports or industrial-themed graphics where a rugged, engineered voice is desirable.
The overall tone feels technical and industrial, with a sporty, equipment-label energy. Its hard edges and machined construction suggest precision and durability rather than softness or warmth, making it read as contemporary and functional.
The design appears intended to translate geometric sans proportions into a distinctly faceted, machined aesthetic, providing a bold, modern voice with strong edge definition. It prioritizes consistency of cuts and corners to create a recognizable silhouette that stands out in short text and titles.
The faceting is applied consistently across caps, lowercase, and numerals, creating a cohesive "cut metal" silhouette. Text settings show a slightly mechanical cadence: angular joins and clipped curves add texture at larger sizes, while the straightforward monoline structure helps keep letterforms distinct.