Sans Faceted Mibu 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Leitura Two Sans' by Monotype, 'Interval Next' by Mostardesign, 'Dalle' by Stawix, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, posters, logos, sports graphics, packaging, industrial, techno, sporty, retro, utilitarian, impact, mechanical look, geometric styling, signage feel, display focus, faceted, angular, chamfered, octagonal, stencil-like.
A heavy, angular sans with planar facets replacing curves, giving many glyphs an octagonal, chamfered profile. Strokes are uniform and blocky with crisp corners, creating a compact, high-impact texture in text. Counters tend to be geometric and squared-off, and terminals often finish with clipped diagonals rather than rounded joins. The overall construction feels modular and engineered, with sturdy verticals and simplified diagonals that keep shapes legible at display sizes.
Best suited for display typography where its angular facets can be appreciated—headlines, posters, branding marks, team or jersey-style graphics, and packaging. It can also work for short UI labels or signage-inspired treatments when you want a geometric, engineered feel, but the dense, blocky color favors larger sizes over extended small text.
The faceted geometry projects an industrial, machine-made attitude—confident, tough, and slightly retro-futuristic. Its sharp cuts and polygonal curves evoke signage, equipment markings, and sporty number styles, lending a functional, no-nonsense tone with a hint of arcade and sci-fi.
This design appears aimed at translating a geometric, faceted motif into a practical sans wordshape: sturdy, attention-grabbing letters that maintain legibility while foregrounding an octagonal, chamfered aesthetic. The consistent low-contrast stroke treatment suggests an emphasis on clarity and impact rather than calligraphic nuance.
Uppercase forms lean toward a compact, emblem-like silhouette, while the lowercase keeps the same chamfered logic, producing a consistent rhythm across mixed-case settings. Numerals are especially sign-like, with polygonal bowls and assertive angles that read cleanly in short strings.