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Free for Commercial Use

Sans Other Asbak 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bookbag', 'JollyGood Proper', and 'JollyGood Sans' by Letradora (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, branding, playful, quirky, friendly, cartoonish, bubbly, display impact, friendly tone, handmade feel, quirky branding, chunky, rounded, irregular, soft corners, hand-cut.


Free for commercial use
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A chunky, heavy sans with soft corners and subtly irregular geometry that creates a lively, handmade rhythm. Strokes are consistently thick, with rounded joins and simplified terminals; curves read as slightly squashed and buoyant rather than perfectly circular. Several glyphs show intentional wobble or off-axis moments—especially in diagonals and bowls—giving the set a cut-paper, display-forward texture while maintaining clear counters and sturdy silhouettes. Numerals and capitals lean toward compact, poster-like forms with broad bowls and minimal detail.

Best suited for short, attention-grabbing text such as posters, titles, logo lockups, product packaging, and cheerful branding systems. It can work for short paragraphs in friendly contexts, but its strong personality and heavy color make it most effective at larger sizes where the quirky details and roundness can breathe.

The overall tone is upbeat and humorous, with a warm, kid-friendly personality. Its unevenness and rounded heft suggest informality and approachability, making it feel more like a playful headline voice than a neutral UI workhorse.

The design appears intended to deliver maximum impact with an approachable, comedic voice—combining bold mass with hand-drawn irregularity to avoid a rigid, corporate feel. It emphasizes legibility through large counters and simple construction while prioritizing a distinctive, playful texture.

Spacing in the samples feels open enough to keep dense text from clogging despite the weight, and the shapes remain recognizable at a glance. The style is consistent across uppercase, lowercase, and figures, with a deliberate mismatch of strict geometry that reads as character rather than error.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸