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Free for Commercial Use

Sans Normal Esme 11 is a very light, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, branding, logotypes, posters, ui display, minimalist, futuristic, airy, refined, technical, modern minimalism, geometric clarity, premium display, technical tone, monoline, geometric, rounded, open forms, spacious.


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A very thin, monoline sans with broad proportions and generous internal counters. Curves are built from smooth, near-circular arcs, while straight strokes stay crisp and consistent in thickness, giving the design a clean geometric backbone. Terminals are mostly simple and open, and many letters emphasize horizontal expansion (notably rounded forms and bowls), creating an overall spacious rhythm. Lowercase shapes keep a tidy, uncluttered construction with clear apertures and minimal detailing; numerals follow the same light, rounded logic for a cohesive set.

Well suited for display typography where its airy hairline construction and wide geometry can be appreciated—headlines, brand marks, editorial cover lines, posters, and minimalist interfaces. It is particularly effective in spacious layouts, high-end product presentation, and contemporary visual systems that favor clean, geometric type.

The font conveys a cool, contemporary tone—light on the page, quiet, and precise. Its wide stance and hairline strokes feel modern and slightly sci‑fi, with an elegant restraint that reads as premium and design-forward rather than expressive or casual.

The design appears intended to deliver a minimal, geometric sans optimized for modern display use: wide, open letterforms paired with uniform hairline strokes to create a sleek, contemporary voice. The consistent round-rectilinear construction suggests an emphasis on visual harmony and a refined, technical aesthetic.

Because the strokes are extremely slender and spacing feels open, the face reads best when given room and sufficient contrast against the background. In longer settings it produces a delicate texture, while in larger sizes the geometric curves and wide proportions become a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸