Sans Faceted Offi 9 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Directory Board JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, sporty, technical, sturdy, modern, geometric impact, industrial tone, high contrast silhouette, stencil-like facets, angular, faceted, chamfered, octagonal, blocky.
A heavy, geometric sans with crisp, faceted construction: curves are consistently replaced by straight segments and clipped corners, creating an octagonal rhythm across rounds like C/O/Q and bowls like B/P/R. Strokes are uniform and squared-off, with compact apertures and a controlled, sign-like spacing. The lowercase is simple and upright with a tall x-height, single-storey forms, and squared terminals; the overall texture reads dense and stable, especially in all-caps settings. Numerals follow the same cut-corner logic, keeping counters boxy and proportions firmly rectangular.
Best suited to display roles where the faceted silhouette can read clearly: headlines, posters, logos/wordmarks, packaging, labels, and wayfinding-style signage. It also works well for short UI labels or technical callouts when a strong, geometric tone is desired, though its dense, angular texture will be most effective at medium-to-large sizes.
The repeated chamfers and hard joins give the face a machined, utilitarian voice—confident, no-nonsense, and slightly sporty. Its angular geometry suggests precision and durability, leaning toward a contemporary, engineered feel rather than warmth or expressiveness.
The design appears intended to translate a bold sans into a cut-metal, multi-faceted aesthetic—prioritizing consistent corner clipping and straight-segment “rounds” for a cohesive, industrial look. The tall lowercase and straightforward construction support clarity and impact in contemporary branding and display typography.
Diagonal joins are prominent in letters like K, V, W, X, and Y, reinforcing a consistent facet system rather than smooth diagonals. The Q uses a short, angular tail, and the lowercase g is single-storey with a squared, open interior, maintaining the same planar language seen in the capitals.