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Serif Contrasted Okfu 2 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Berthold Bodoni' by Berthold, 'Bauer Bodoni' by Bitstream, 'Retro Voice' by BlessedPrint, 'Bodoni FB' by Font Bureau, 'Bauer Bodoni' by Linotype, 'Didonesque Stencil' by Monotype, 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, magazines, fashion, branding, luxury, dramatic, classic, display impact, premium tone, editorial voice, classic elegance, didone-like, vertical stress, hairline serifs, sharp terminals, crisp joins.


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This typeface presents a high-contrast serif structure with dominant vertical stems and razor-thin hairlines. Serifs are fine and sharply cut, with minimal bracketing, creating crisp entry and exit points. Curves show a pronounced thick–thin modulation and a largely vertical stress, producing a polished, formal rhythm. Proportions are slightly varied from letter to letter, with compact counters in several capitals and a lively, calligraphic snap in details like the ear and hooks, while maintaining an overall upright, disciplined posture.

This font is best suited to display sizes such as magazine headlines, pull quotes, mastheads, fashion lookbooks, and premium branding. Its sharp hairlines and dramatic contrast read most confidently in print or high-resolution digital contexts where fine details can hold up.

The overall tone is refined and theatrical, combining elegance with a slightly provocative, display-forward intensity. It evokes fashion and editorial typography—confident, upscale, and attention-seeking—while still feeling rooted in traditional serif conventions.

The design appears intended to deliver a classic, high-fashion serif voice with pronounced contrast and crisp detailing, prioritizing impact and elegance over neutrality. It aims to provide a distinctive headline palette that feels traditional in structure yet modern in its precision and sharpness.

In the samples, the heaviest verticals and delicate horizontals create strong sparkle and contrast, especially at larger sizes. Some letterforms show distinctive, sculpted details (notably in curved characters and a few lowercase terminals), which add personality but also increase visual activity in dense settings. Numerals follow the same high-contrast logic, with thin joins and emphatic thick strokes that suit headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸