Sans Superellipse Imluz 4 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Gltp Starion' by Glowtype, 'Aspire' by Grype, 'Murs Gothic' by Kobuzan, and 'Radiate Sans' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, product packaging, sporty, futuristic, assertive, techy, dynamic, impact, speed, modernity, branding, display, extended, oblique, rounded, squared, blocky.
A heavy, oblique sans with extended proportions and rounded-rectangle construction throughout. Strokes are broad and clean with smoothly radiused corners, giving counters a soft, squared feel rather than circular geometry. Terminals tend to be cut on an angle, reinforcing forward motion, while interior apertures stay compact and controlled for a solid, high-impact texture. Numerals and capitals read wide and stable, with consistent curvature and uniform stroke behavior across the set.
Best suited to large-scale applications where impact and motion are desired: headlines, posters, sports identities, gaming UI/title treatments, and bold product or event branding. It can also work for short labels and signage where a wide, high-visibility wordshape is helpful, but it is less appropriate for long-form text due to its density and strong slant.
The overall tone is fast, confident, and modern, with a distinctly sporty, engineered presence. Its rounded-square forms and strong slant suggest speed and performance, while the dense black shapes convey authority and punch. The feeling is more tech and motorsport than editorial or classical.
The design appears intended to deliver a high-energy display voice built from rounded, squared geometry—combining the friendliness of softened corners with the urgency of an oblique stance. It prioritizes powerful silhouettes and consistent superelliptical curves to achieve a contemporary, performance-oriented look.
Spacing appears intentionally generous for an extended, display-first rhythm, helping the heavy forms avoid clogging in short headlines. The oblique angle is consistent and prominent, and the design leans on superelliptical counters and chamfer-like cuts to keep forms crisp at large sizes.