Sans Other Telu 6 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: logotypes, headlines, posters, signage, branding, art deco, futuristic, geometric, technical, stylized, distinctive identity, retro modernism, technical tone, geometric clarity, decorative system, stencil cuts, segmented, circular counters, high contrast joins, display.
A geometric sans with monoline strokes and a distinctive segmented construction: many curved letters (C, G, O, Q and related lowercase forms) are interrupted by small vertical gaps or bars, creating a quasi-stencil rhythm. Bowls and counters trend toward circular forms, while straight strokes stay clean and vertical, with crisp terminals and occasional sharp joins (notably in V/W and angled diagonals). Uppercase proportions feel compact and engineered, and the lowercase maintains a round, modern skeleton with consistent stroke thickness; numerals and punctuation follow the same cut-and-bridge motif for a unified texture.
Best suited for display settings where the segmented geometry can be appreciated—logos, titles, posters, packaging, wayfinding, and short UI/graphic labels. It can work for brief passages at comfortable sizes, but the recurring cut-ins are most effective when given room to breathe.
The repeated breaks and bridged curves give the type a retro-futurist, Art Deco–adjacent flavor that reads as technical and designed rather than neutral. It conveys a sense of machinery, signage, and precision—sleek but playful—thanks to the rhythmic interruptions and highly geometric shaping.
The design appears intended to reinterpret a clean geometric sans through a consistent bridged/stencil system, adding character and recognizability without abandoning straightforward letterforms. The goal seems to be a modern, engineered feel with a retro decorative edge for branding-forward typography.
The segmentation is strong enough to become a defining pattern in text, producing a striped/bridged look especially noticeable in words with many rounded letters. At smaller sizes those breaks may visually fill in or create shimmer, while at larger sizes they read as intentional detailing.