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Free for Commercial Use

Stencil Ukdo 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FF Infra' by FontFont, 'Neue Haas Grotesk Text' by Linotype, 'Reyhan' by Plantype, and 'Identidad' by Punchform (names referenced only for comparison).

Keywords: posters, headlines, branding, sportswear, tech ui, futuristic, techno, industrial, sporty, sharp, motion, precision, industrial edge, modern display, slanted, stenciled, angular, geometric, high-impact.


Free for commercial use
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A slanted, geometric sans with consistent low-contrast strokes and clear stencil breaks throughout. Forms lean forward with crisp terminals, straight-sided bowls, and frequent diagonal cuts that create bridges in rounds and joints. Capitals read wide and structured with open counters, while lowercase maintains a clean, modern skeleton with simplified curves and a rhythmic, slightly mechanical spacing. Numerals follow the same language, mixing circular shapes with decisive horizontal/diagonal interruptions for a cohesive, engineered look.

Works well for display applications such as posters, titles, product branding, and campaign graphics where a technical, forward-leaning voice is desired. It can also support short text in interfaces, labels, or packaging when you want a clean sans structure with an industrial stencil signature.

The overall tone is fast, modern, and technical, suggesting motion and precision. The stencil interruptions add an industrial, utilitarian edge that feels at home in sci‑fi, motorsport, and performance-oriented graphics rather than traditional editorial typography.

Likely designed to merge a contemporary italic sans foundation with a systematic stencil construction, balancing legibility with a bold, cut-metal aesthetic. The intent appears to emphasize speed, modernity, and engineered precision through slant, geometry, and repeatable break patterns.

The stencil logic is applied consistently enough to remain legible in text while still being visually distinctive, with breaks placed to read as intentional cutlines rather than distressed texture. The forward slant and sharp joins amplify energy and directionality, making the face feel best when allowed some breathing room in layout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸