Sans Other Ohpo 14 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka and 'Plasma' by Corradine Fonts (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, arcade, futuristic, tactical, impact, sci-fi ui, industrial signage, retro arcade, modular geometry, square, angular, stencil-like, notched, modular.
A heavy, blocky sans built from squared, rectilinear forms with crisp corners and consistent stroke thickness. Counters are tight and often rectangular, with occasional inset cuts and small notches that create a slightly stencil-like, engineered feel. Curves are minimized in favor of straight segments and chamfered joins, producing a compact, high-impact texture with strong verticals and flat terminals. The numerals and capitals echo the same modular geometry, keeping the set visually uniform and dense in display settings.
Best suited for short, high-contrast applications such as posters, titles, brand marks, and product packaging where its geometric punch can carry the design. It also fits interface labels, game UI, and techno-themed graphics where a modular, industrial voice is desired, while extended reading is better reserved for larger sizes and generous spacing.
The overall tone reads assertive and mechanical, evoking utilitarian signage, retro arcade interfaces, and sci‑fi UI labeling. Its angular construction and cut-in details suggest toughness and precision rather than friendliness, lending an energetic, tech-forward character to headlines.
The design appears intended to deliver maximum visual impact through a modular, squared construction, using notches and inset cuts to add distinctiveness without introducing decorative curves. It targets display typography that feels engineered and contemporary, with a nod to retro digital and arcade aesthetics.
At smaller sizes the enclosed shapes and narrow apertures can darken quickly, while at larger sizes the carved details and squared counters become a defining stylistic feature. The rhythm is intentionally rigid and grid-like, giving lines of text a disciplined, constructed look.