Font Hero

Free for Commercial Use

Sans Superellipse Horor 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'KP Duty JNL' by Jeff Levine, 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, 'Manual' by TypeUnion, and 'NoExit' by muccaTypo (names referenced only for comparison).

Keywords: headlines, posters, logotypes, sports branding, gaming ui, techno, industrial, sporty, retro-futuristic, assertive, impact, futurism, strength, clarity, branding, squared, rounded corners, blocky, geometric, compact counters.


Free for commercial use
Customize the font name

A heavy, geometric sans with squared, superellipse-like bowls and consistently rounded corners. Strokes are uniform and dense, creating compact counters and a solid, poster-like color on the page. Curves are minimized in favor of rounded rectangles, with horizontal terminals that feel cut and engineered rather than calligraphic. The lowercase follows the same squared logic, with a single-storey “a” and “g” and a sturdy, modular rhythm; figures match the letterforms with boxy shapes and tight internal apertures.

Best suited to attention-grabbing applications such as headlines, event posters, esports or sports identities, product packaging, and on-screen UI labels where a strong, engineered look is desired. It also works well for short bursts of text—titles, badges, and signage—where the compact counters won’t be stressed by small sizes.

The overall tone is bold and utilitarian, with a distinctly technical, game/sports display energy. Its squared curves and chunky presence evoke machinery, scoreboard numerals, and sci‑fi interface labeling, projecting confidence and impact rather than delicacy.

The design intent appears to be a modern, industrial display sans built from rounded-rectangle primitives, prioritizing bold presence, geometric consistency, and a contemporary tech aesthetic.

The tight counters and strong rectangular geometry give the font excellent silhouette recognition at larger sizes, while the interior openings can feel constricted in longer text blocks. The forms appear optimized for crisp shapes and high-impact headlines, with a consistent corner radius that unifies letters and numbers.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸