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Free for Commercial Use

Sans Normal Urlab 4 is a regular weight, normal width, high contrast, italic, short x-height font visually similar to 'Grenale' by insigne (names referenced only for comparison).

Keywords: headlines, subheads, pull quotes, magazine type, book covers, editorial, elegant, literary, refined, classic, editorial voice, elegant emphasis, display italic, refined branding, literary tone, calligraphic, brisk, airy, sharp, delicate.


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A high-contrast italic with tapered strokes and crisp, blade-like terminals that create a lively, forward-leaning rhythm. Curves are smoothly drawn and relatively narrow, while joins and entry strokes show a subtle calligraphic logic rather than monoline construction. Uppercase forms are tall and sleek with restrained detailing, and the lowercase keeps a compact x-height with long ascenders/descenders that add vertical elegance. Numerals follow the same italic energy, mixing open curves with pointed finishes for a cohesive, display-friendly texture.

This font is well suited to headlines, subheads, and pull quotes where its contrast and italic rhythm can carry personality. It also fits magazine typography and book-cover titling, especially for refined or classic themes. In longer passages it can work for short editorial excerpts when set at comfortable sizes with generous leading.

The overall tone is polished and literary, with an editorial sophistication that feels suited to fashion, culture, and classic publishing contexts. Its energetic slant and sharp finishing give it a confident, slightly dramatic voice without becoming ornamental. The result reads as elegant and purposeful, balancing refinement with momentum.

The design appears intended as a refined italic for expressive setting, prioritizing elegant vertical proportions and calligraphic contrast to deliver an upscale editorial voice. It aims to provide a cohesive italic texture that feels deliberate and polished, functioning as a primary stylistic choice for emphasis, titling, or sophisticated branding.

Spacing appears open enough to keep word shapes clear in longer lines, while the strong contrast and narrow counters suggest it will look best when given room and not set too small. The italics maintain consistent stroke stress across letters, producing a smooth line flow and a distinctly “set in italics on purpose” character rather than a simple oblique. Descenders (notably in letters like g, j, y) are pronounced and contribute to an expressive baseline movement.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸